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Thomas Pitfield Collection
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Three albums of photographs: one entirely of animals, one entirely of TBP's craft works, and the third of family and friends but chiefly of AMP and TBP throughout their lives. Box of miscellaneous photographs, chiefly of TBP. Including dupli...

Photograph album of animals

Album bound by TBP with a repeat pattern on the front and back cover. Photographs have been attached to black sugar paper. The album is not full. 49 photographs are attached in the album and are of dogs: Most are of a Spaniel. Pencil sketch of...

Thomas and Alice Pitfield, family and friends

The photographs do not appear to be in any real order and most photographs are not acompanied with a caption. All photographs are Black and white unless stated otherwise: ff.1-10: 20 postcards of places in Moscow, ff.11: two photographs of grou...

Thomas Pitfield Collection

  • GB GB1179 TP
  • Collectie
  • 1903-2000

Music, artwork, writings & other output of Thomas Pitfield covering virtually his entire creative life. Also correspondence and photographs.

Pitfield, Thomas Baron (1903-1999), Composer, artist

Photograph album of Pitfield's craftwork

Album bound by TBP with linocut design on the front and back cover. Photographs have been attached to coloured sugar paper. The album is not full. Photographs include: Display of The Poetry of Trees (bound in oak), dove and female torso; Side t...


Folder of miscellaneous papers including family tree, notes of advice on memory loss and memory training; 1990s. Folder on Bowdon Conservation Group: publicity, membership. Folder on Bowdon Festival: programmes and related papers; 1980s. Folder of...

Alice Pitfield

Folder of letters from friends, in Russian; 1917-1918. Folder of three letters from TBP - 1934 (2), 1936. Folder of two letters - reference, 1947; personal news, 1960. Folder of keepsakes - locks of hair of AMP and her mother; photographs of the g...

Pitfield, Alice Maud (1903-2000), Craftswoman


The notebooks cover virtually the whole of Pitfield's creative life (there is a gap between June 1927 and February 1932). He treated them as both sketchbooks and commonplace books, carrying the current one with him wherever he went, in a spe...

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